Disney built its own premium format because it could not get a screen.
Two wide releases open on December 18, 2026. One of them holds the IMAX screens, and that was settled eleven months before the date. Every demand instrument we measured says the other film leads, by as much as 95 to 5. Every answer engine that will recommend at all says the one with the screens. This page publishes all five demand measures, all twelve engine calls, the sourced timeline of how the allocation happened, and a prediction registered now that resolves on December 21.
The screens were worth enough that the losing studio built a competing format rather than go without them.
Disney announced Infinity Vision, its own premium large-format certification program, at CinemaCon on April 16, 2026 — seven weeks after IMAX’s investor presentation confirmed the December precedence. By late June it reported more than 7,500 screen applications. IMAX’s own chief financial officer called it a marketing play.
Before anything else: this study’s own brief had the date wrong
The pre-registered brief said December 19. All six model answers said December 18, 2026, and they were right. December 18 is a Friday; December 19 is a Saturday, and US wide releases open on Fridays.
The error came from a trade article read once and not checked against a second source — a failure of the two-source rule this estate applies to everything except, on that day, its own premise. It is corrected here first, because every other figure on this page is anchored to that date. It is also why the sourcing table further down exists at all.
The registered question, written before any retrieval
When two wide releases collide on a single date, is premium-format screen allocation the scarce resource that decides the outcome — and does demand measured before the date predict which title leads?
The seat this was written for is whoever allocates premium-format screens, and whoever on the other side decides whether to pay into an incumbent format or build one. That second decision is live, recurring and expensive. The December 18 allocation itself was not live when we measured — it had already resolved, and we registered it as open. That is half a hit, and the half that missed is the one that matters.
| # | Registered | Prior | Outcome |
|---|---|---|---|
| C1 | One title dominates demand, leader share ≥ 70% | 40% | Holds. Four of five instruments above 70%. |
| C2 | Clear lead, 60–70% | 30% | No. |
| C3 | Near parity | 30% | No. |
| F1 | The instruments disagree about which title leads | 35% | Fired — but about what to do, not about size. Unregistered form. |
| F2 | The release date moves | 20% | Did not fire. |
| F3 | The engines decline to recommend | 45% | Fired on ChatGPT, 2 of 3. Perplexity recommended every time. |
| — | Registered to lose: Avengers leads every instrument and I am wrong on at least one | — | Unresolvable as written. “Lead” was never defined as between has more demand and is recommended. |
Every demand instrument says Avengers
| Instrument | What was measured | Avengers: Doomsday | Dune: Part Three | Leader share |
|---|---|---|---|---|
| Head search term | avengers doomsday / dune part three | 1,220,000 | 60,500 | 95.3% |
| Trailer searches | …trailer, both titles | 165,000 | 5,400 | 96.8% |
| Ticket searches | …tickets, both titles | 90,500 | 33,100 | 73.2% |
| Official trailer comments | one official trailer each | 195,909 | 31,547 | 86.1% |
| Official trailer views | one official trailer each | 81,822,659 | 44,302,044 | 64.9% |
Four of the five clear 70%, which was the registered threshold for dominance. The row worth looking at is ticket searches. It is the closest thing here to purchase intent and it is the narrowest gap of the four search measures — 73.2% against 95.3% on the head term. Dune closes the gap as the question moves from awareness to buying. Keyword volumes are advertising bands rather than counts, so that is a direction and not a ratio.
Every answer engine that recommends says Dune
| Engine | Question shape | Calls | What it said |
|---|---|---|---|
| Perplexity | Head-to-head | 3 of 3 | Named Dune: Part Three and gave the premium-format reason every time. |
| ChatGPT | Head-to-head | 2 of 3 | Declined to choose. “The choice depends on your interest in superhero films versus science fiction epics.” |
| ChatGPT | Head-to-head | 1 of 3 | Named the same format constraint and concluded Avengers: Doomsday might be the more accessible of the two. |
| Both | Open question | 4 of 4 | Avengers on scale, Dune as the prestige event. Neither engine recommended. |
Asked which is bigger, every instrument says Avengers. Asked which to see, the engine that answers at all says Dune, three times out of three. That is not a contradiction. They are two different questions, and the brief registered a measurement that could not tell them apart — which is logged as a defect in the table above rather than smoothed over here.
The commercially useful version of this is not who wins December 18. It is what a 96-to-1 search advantage is worth when the other title holds the only screens that carry a premium ticket price. That has a dated answer and nobody has published a measurement of it.
How the allocation actually happened
Every entry carries its source and how strong that source is. The first one is the one to watch, because of where it ends up.
| Date | What happened | Source | Strength |
|---|---|---|---|
| 2026-01-16 | The three-week version appears. One outlet reports that Dune has all IMAX screens for three weeks. | World of Reel, reporting a post by the account Empire City Box Office on X. The outlet hedges it: “apparently”, “according to”. | social post |
| 2026-02-26 | IMAX confirms the precedence itself, in an investor presentation. | Reported by GamesRadar citing slide 13 of the deck, and by Gizmodo the same day, which describes the exclusivity as covering the opening weekend. | primary source |
| 2026-04-06 | Early IMAX 15/70 tickets go on sale, before the wide date, in 19 locations worldwide — 15 in North America, two in Canada, one in Melbourne, one in London. | Forbes, Benny Hareven, April 6, 2026. | named outlet |
| 2026-04-16 | Disney announces Infinity Vision at CinemaCon: its own certification program for premium large-format screens, with branding and marketing support for exhibitors who qualify. | Disney press release, April 16, 2026; Variety (Angelique Jackson) and Deadline (Glenn Garner) the same day. | primary source |
| 2026-04-30 | IMAX’s own CFO, Natasha Fernandes, calls the program a marketing play. | The Hollywood Reporter, Etan Vlessing, April 30, 2026. | named outlet |
| 2026-06-24 | Disney reports more than 7,500 screen certification applications from exhibitors worldwide, roughly ten weeks after launch. | Deadline (Anthony D’Alessandro), June 24, 2026; and a Washington Times report of June 25, 2026, carried by Moneywise on July 21. | named outlet |
| 2026-10-24 | This study’s measurement pass. Both answer engines cite the exclusivity; Perplexity recommends Dune on the strength of it, three times out of three. | Run b62a2d44, 17 of 17 rows, $0.249 metered. | our measurement |
| 2026-12-18 | Both films open. The question this page registered is resolved. | Three-day domestic grosses, reported Monday, December 21, 2026. | not yet known |
The response is the finding. A studio that could not get one chain of screens for one weekend launched a certification program for a competing class of screens seven weeks later, and ten weeks after that reported more than 7,500 applications. That is a revealed price for premium-format access, and it is larger than the forgone ticket revenue of a single weekend.
The number both engines gave is in none of the sources they cited
Perplexity recommended Dune three times out of three, and gave a reason each time: the exclusivity runs at least its first three weeks. It cited a real article for it. That article does not contain a duration.
| What was said | Duration stated | Traces to | Source strength |
|---|---|---|---|
| Perplexity, in answer to “which should I see”, 3 of 3 calls | “at least its first three weeks” | Nothing in the source it cited. The GamesRadar piece it named states precedence on December 18 and gives no duration at all. | unsourced |
| The GamesRadar article the engines cited | no duration stated | IMAX’s investor presentation, slide 13. | primary source |
| Gizmodo, February 26, 2026 | opening weekend | The same IMAX investor presentation, linked in the piece. | primary source |
| TheMovieBlog, January 2026 | three weeks | A post by the account Empire City Box Office on X, via World of Reel. | social post |
Two durations are in circulation. The shorter one — the opening weekend — traces to IMAX’s own investor presentation. The longer one — three weeks — traces to a post on X, reported by a film blog that hedged it with “apparently”. The engines gave the longer one, and attached it to a citation that supports only the fact of precedence.
This matters beyond one film. A confident number with a real source attached, where the source does not contain the number, is the hardest kind of error to catch — the citation survives a spot check and the figure does not. Anyone taking a competitor’s exclusivity window from an answer engine and putting it in a plan would have taken the unsourced version, twice as long, with a footnote that looked right.
Sixth consecutive replication, and ChatGPT returned zero again
| Engine | Question shape | Domains across 3 calls | Stable across all three |
|---|---|---|---|
| ChatGPT | Open question | 6 | 0 |
| ChatGPT | Head-to-head | 5 | 1 |
| Perplexity | Open question | 9 | 9 |
| Perplexity | Head-to-head | 9 | 9 |
ChatGPT’s open-question citation set shares not one domain across three calls placed in the same minute. Calls 1 and 3 returned one set; call 2 returned an entirely different one. Perplexity has now returned a fully identical citation set on six consecutive measurements, across four subjects and two question shapes. This is a measurement of these questions on these days and not a league table, and we do not publish it as one — but six for six is past the point of hedging into meaninglessness.
Who answers for a film, and it is not the trades
Across twelve calls, neither engine cited Variety, Deadline or The Hollywood Reporter once. On the question of the biggest American film release of December, ChatGPT’s first-position citation on two of three open calls was a Peruvian news site.
| Engine | Question shape | Domains cited |
|---|---|---|
| ChatGPT | Open question | rpp.pe · techradar.com · en.prnasia.com · space.com · en.wikipedia.org · moviescalendar.com |
| ChatGPT | Head-to-head | movies.disney.com · gamesradar.com · and three others |
| Perplexity | Both shapes | tribechat.com · findthismovie.com · documentarytube.com · moviefone.com · collider.com · mapsofindia.com · ew.com · sacnilk.com · yahoo.com |
| Google organic | “avengers vs dune”, from Houston | reddit · screenrant · instagram · resetera · facebook · yahoo |
One owned domain did win: movies.disney.com was cited at position 1 on two of three head-to-head calls. Compare the games study, where the publisher was cited zero times out of three about its own release date. The difference is the question — this one named both titles. It is also a subdomain, which a measurement matching only the root domain would have recorded as a miss.
The prediction, registered now, resolved December 21
A study about a dated event is worth little if it does not say what it expects before the date. These are written now and will be scored here, in place, whichever way it goes.
| # | Outcome | Prior | Why it might go this way |
|---|---|---|---|
| P1 | Avengers: Doomsday takes the larger three-day domestic gross. | 65% | Demand leads by 95-to-5 on the head term and the format gap is one chain of screens. |
| P2 | Dune: Part Three takes the larger three-day domestic gross. | 30% | Premium-format seats carry a higher ticket price and sell out first. |
| P3 | The two land within 5% of each other. | 5% | Narrow enough that neither effect is separable. |
What would make this study wrong: if Dune takes the larger opening, then premium-format allocation outweighed a 95-to-5 search advantage, and the demand instruments on this page do not predict opening gross. That is a result worth more than being right, and it will be published as plainly as the other one.
Added October 25, 2026, after this page published. A second question about the same date, registered the same way and scored the same way. It is not a fourth outcome of P1–P3 — those three are readings of one measure and sum to 100%. This measures something else.
| # | Registered | Prior | Basis |
|---|---|---|---|
| P4 | Dune: Part Three’s IMAX domestic per-screen average beats Avengers: Doomsday’s Infinity Vision per-screen average, opening weekend. | 75% | Mostly a denominator argument: IMAX’s domestic footprint is a fraction of the 7,500+ screens Infinity Vision reported applications from, and a smaller, older, more selective estate should win a per-screen comparison almost regardless of the two films. |
The basis is structural, not measured, and that matters to how much the number is worth. cm_123 separates a prior set from an earlier measurement with the same instrument from one set from a plausible belief. Across 57 priors carrying an explicit basis label, the first stands at 14 for 19 and the second at 18 for 33 — a nineteen-point edge, not an unbroken record. An earlier version of this page said 17 for 17 against 0 for 6; that figure counted an unresolved prediction as a hit and described only the minority of projects that labeled their basis. P4 is set the second way. It is published at 75% anyway, because a prediction withheld until it is safe is not a prediction.
What would make P4 unresolvable rather than wrong: per-screen averages for premium formats are not reliably published. If neither IMAX nor Disney reports screen counts and format grosses for the opening weekend by January 9, 2027, P4 is recorded unresolvable and scored as neither a hit nor a miss. Silence is not a win.
What this study cannot tell you
- Nothing here observes a ticket sold. Search volume is interest, comments are attention, and a model recommendation is a model recommendation. No row in this study measures a booking, a presale or a screen allocation.
- The allocation itself is reported, not inspected. IMAX’s investor presentation is cited by two outlets that read it; the deck was not retrieved and read here. Neither studio confirmed anything to us.
- Keyword volumes are Google’s advertising bands, not counts. Read the ordering. The 95.3% and 73.2% figures are band ratios.
- The trailer comparison is one official trailer per title, four months apart — Dune’s teaser in March, Avengers’ trailer in July. Age is not controlled and comments accumulate, so 86.1% is a floor rather than a point.
- Both engines were read at the platform-default budget tier, on one day, from one location. A different tier or a different day may answer differently.
- No negative control. The brief registered one and none was appointed, because no true negative was available. That is a gap, stated rather than papered over.
- The 75 domestic and 300 international figures are disputed between sources. One reads them as Infinity Vision certified theaters, another as the existing premium-format screens the program draws from. We use the second, cautious reading, and neither is used in a calculation here.
How this page changes
A standing study, not an article. Corrections are published in place and dated, never applied quietly.
| Measurement | Cadence |
|---|---|
| Five demand instruments | Weekly until December 18 |
| Answer-engine calls and citations | Weekly until December 18 |
| The registered prediction | Scored once, December 21, 2026 |
| Source timeline | On any new primary source |
| Date | What changed |
|---|---|
| 2026-10-26 | The calibration figure on this page was wrong and is corrected. It read 17 for 17 from measured priors against 0 for 6 from belief. An audit traced that to a prediction this firm’s own record files as unresolved and counted as a hit, and found that most projects had registered priors with no basis label at all, so the figure described a minority of the work. Rebuilt from the 57 priors carrying an explicit basis: 14 for 19 measured against 18 for 33 from belief. The full ledger, including this correction, is at /research/predictions. The correction was first applied to this page’s generated HTML rather than to its generator, where a later rebuild would have silently restored the false figure; it is now in the generator. |
| 2026-10-25 | P4 registered — a second question about the same date, on premium-format per-screen average. Added after publication and labeled as such. Its basis is structural rather than measured, which is stated beside it, and it carries a condition under which it is recorded unresolvable rather than won. P1–P3 are unchanged: no new evidence has arrived to move them with. |
| 2026-10-26 | Published from the pass of 2026-10-24. Three things were added after the pass and are not part of the registered measurement: the sourced timeline, the duration trace, and the December 21 prediction. The brief’s release date was wrong and is corrected at the top. |
This page is re-run every week until December 18, and the prediction is scored on December 21.
Sound Decisions carries each re-run and each correction, with the registered question written before the data is pulled.
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